come play your part in the fight against cultural fascism — tune into WNYU 89.1 FM (or stream on wnyu.org) to hear Blanche Blanche Blanche live at 7 pm on the New Afternoon Show. 

this afternoon on “Bedroom Athlete” - 

rare private-press japanese art punk 

+ female-fronted deathgrind from Arizona

+ + early japanese // french electroacoustic jams

+ + + fun w/ the electroencephalophone w/ David Rosenboom!

weird // “”“avant-garde”“” music, now every saturday afternoon, 12 - 2 pm

http://wnyu.org/2013-03-16_bedroomathlete

email me?: tylerm@wnyu.org

:-) 

Acoustic chaos live in the studio with The Inbetweens on The Phoenix.  Tune in now…live music until 2pm!

this morning on “Bedroom Athlete” -

tamio shiraishi, 1993 performance

+ japanese // swedish electroacoustic improv

+ + conducted improv w/ lawrence “butch” morris 

+ + + choice minimal synth and synth pop cuts, 1978 - 1987

weird / “”“avant-garde”“” music, every saturday morning, 10 am - 12 pm

http://wnyu.org/2013-03-09_bedroomathlete

email me?: tylerm@wnyu.org

:-)

Coming up next…

JAZZ IS DEAD.

•WHY is “jazz” a restrictive label that expresses a “colonialist mentality”?
•WHAT is #BAM and why is it causing a revolution throughout musical culture?
•HOW is acknowledgement of tradition paramount to innovation?
•WHEN and how is the artist liberated from social constructs?
•WHO is the Savior of Archaic Pop?

Meet Nicholas Payton, the man behind the enigma, who discusses these ideas and beyond on this week’s edition of The Phoenix. In addition to listening to this phenomenally inspiring interview, tune in to enjoy the cool sounds of Payton’s new album #BAM Live at Bohemian Caverns.

Kick back and tune in to The Phoenix on WNYU.org, every Thursday from 12noon to 2pm. Only on www.wnyu.org.

White+ - 白+ →

Only nine copies left. Awesome Psych Kraut Kaleidescope Rainbow Beams. Top 10 of 2012, definitely. In Brooklyn 3/16:

https://www.facebook.com/events/484701484923931/

Jack - - New Afternoon Show

Exploring Deep House: Legitimate Dance Music

Don’t get me wrong, I love house music. But it’s hard for me to ignore the gap between what I hear in the 4/4 and what it compels me to do. I want a melody, a message, that reminds me of why I’m dancing in the first place. An excuse to let go.

Deep house, a curious subgenre of dance music, compensates for this. It’s not fair for me to assert that it is unique in its incorporation of subdued melodies in minor keys and intricate percussion, in comparison to house, trance and other dance genres, but the genre appears to define itself by these measures. It’s nice to see a marriage of the syncopation and fun of traditional house with the sentimentality and weight of trance.

It’s a genre with an objective.

Lusine’s cover of “Get the Message” by Electronic- Now Playing on The Sound Between

n0-id3a:

Cayucas - High School Lover

I can’t play this because of the ~bad words~ so I’m posting it here…

-Sound Between

(Source: youtube.com)